We don’t shoot digital. We don’t fly drones. We don’t build fancy websites.
We specialize in one thing only:
We Shoot Weddings on 16mm Film
Here are a few of them.
16mm. Widescreen. Color.
This wedding film was framed for a widescreen aspect ratio, giving the film a more modern look, but sacrificing a bit of image space by cropping the top and bottom of frame.
16mm. FULL FRAME. Color.
This wedding film uses the entire 16mm frame, giving the film a classic look with full resolution. The black bars on the sides of the screen ensure that the original aspect ratio is preserved on modern 16x9 devices.
Super 8. full frame. B&W.
Black and white film stock offers a timeless look and is available in both Super 8 and 16mm formats. We don’t shoot Super 8 anymore. Read why below.
Why not Super 8?
We love Super 8. We spent years shooting weddings on Super 8. But ultimately…
Resolution too low
The cameras keep breaking
16mm film offers over THREE TIMES the resolution of Super 8 for a sharper image without sacrificing the grain and ephemeral nostalgia that draws people to analog film.
16mm is a professional film format. Our fleet of 16mm cameras were used by news crews throughout the late 60s and 70s and are built like tanks. Super 8 was marketed as an amateur film format and these vintage camera are constantly breaking on us. We don’t want that happening on your wedding day.
Super 8 vs 16mm demo
As a controlled experiment, we followed a local Sasquatch on his daily routine, filming his movements on both Super 8 and 16mm film. Keep in mind, both videos below are shot using the same film stock, the same weather conditions, and the same Sasquatch. The only difference lies in the camera format.
Reach Out!
We are available to film a limited number of weddings each year. Drop us a line now to discuss your wedding and reserve your date.